photos
Photo © Tom Berthiamme
abstract
Originally part of a 1974 video project called "All About Eggs" (never
aired as a finished product), The Bach Duet renders a stately yet bright
cantata [for soprano and alto voices] into a wryly witty dance for a man and
woman in a clear spacial, if not an interlocked-via-partnering relationship.
>From spitting on the floor and grinding a foot in it to establish traction,
the dancers set off on a deadpan excursion through Bach's vocal and
instrumental music. Point and counterpoint accents between the dancers
dressed like celestial athletes build a dance musically precise and yet with
a logic of its own, as well as with an individual logic of each dancer's
own. Their often canonic and fluent moves occasionally freeze and/or reveal
seemingly anomalous gestures, high-signs for example, that, especially due
to their dead-pan delivery, give the audience a good smile or a genuine
laugh. Very little partnering takes place, that which does sometimes has the
air of momentary, spontaneous reactions and works from man-to-woman as well
from woman-to-man. More teasing moments of lets-get-to-work spitting, by
both partners, dot the rest of the friendly and wittily baroque display.
review extract
The dancers approach their work with the resolute air of workmen who spit on their hands before starting a task. The rapid series of feints, turns and leaps in the choreography keep them on the edge of balance and control. It is good-humored competition, and everyone wins in the process. Don McDonagh, THE NEW YORK TIMES, 1974.
program notes:
No program notes have been posted for this dance.
performance history
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Date
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Company Name
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City
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| 12/9/1984 |
American Ballet Theatre
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New York, NY |
Bach Duet
premiere: 9/5/1974 premiere company: Twyla Tharp Dance Foundation